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Dragon Stories
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Stories about dragons. Famous novels about dragons.
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Here's a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords. Eragon, a young farm boy, finds a marvelous blue stone in a mystical mountain place. Before he can trade it for food to get his family through the hard winter, it hatches a beautiful sapphire-blue dragon, a race thought to be extinct. Eragon bonds with the dragon, and when his family is killed by the marauding Ra'zac, he discovers that he is the last of the Dragon Riders, fated to play a decisive part in the coming war between the human but hidden Varden, dwarves, elves, the diabolical Shades and their neanderthal Urgalls, all pitted against and allied with each other and the evil King Galbatorix. Eragon and his dragon Saphira set out to find their role, growing in magic power and understanding of the complex political situation as they endure perilous travels and sudden battles, dire wounds, capture and escape. In spite of the engrossing action, this is not a book for the casual fantasy reader. There are 65 names of people, horses, and dragons to be remembered and lots of pseudo-Celtic places, magic words, and phrases in the Ancient Language as well as the speech of the dwarfs and the Urgalls. But the maps and glossaries help, and by the end, readers will be utterly dedicated and eager for the next book, Eldest. (Ages 10 to 14) --Patty Campbell
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It's a fantasy, it's long, and it's got dragons in it. Dragon Rider is bound to be another hit book from Cornelia Funke! Ever since the popularity of bestselling fantasies The Thief Lord and Inkheart went global a few years ago, legions of fans have demanded more books from the German author than she can reasonably hope to write each year. So, re-discovering this hefty, earlier novel from 1997 was a logical development--and her keenest readers will devour it as before. Aimed at slightly younger readers than her previous novels, despite its massive five hundred pages, Dragon Rider is about a brave young dragon called Firedrake who embarks upon a dangerous journey to the Rim of Heaven in the Himalayas--a magical place where silver dragons can rest easy, free from the threat of destruction by mankind and their only hope of sanctuary. The key to its location is a map rendered by a rat who is a master cartographer. Firedrake is joined on his quest by Ben, an orphaned boy, and Sorrell--a wise-cracking Brownie that is an odd, but ingenious, grumpy kind of fairy. Their journey is not a straightforward one by any means. Created by an alchemist called Petrosius Henbane in 1424, Nettlebrand (a malevolent creature covered in impenetrable gold plates) is their biggest threat--he is intent on destroying them. Nettlebrand is aided by Twigleg, a homunculus who has stowed away in Ben's bag and who is feeding reports on their progress back to his master. Their exciting encounters are many... It is easy to forgive the narrative's excessive length when readers are gorging on such a wonderfully inventive and readable story from an author who has her readers in the palm of her hand on every page. (Age 9 and over) --John McLay
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My Father's Dragon--a favorite of young readers since the 1940s and a Newbery honor book--captures the nonsensical logic of childhood in an amusingly deadpan fashion. The story begins when Elmer Elevator (the narrator's father as a boy) runs away with an old alley cat to rescue a flying baby dragon being exploited on a faraway island. With the help of two dozen pink lollipops, rubber bands, chewing gum, and a fine-toothed comb, Elmer disarms the fiercest of beasts on Wild Island. The quirky, comical adventure ends with a heroic denouement: the freeing of the dragon. Abundant black-and-white lithographs by Ruth Chrisman Gannett (the author's stepmother) add an evocative, lighthearted mood to an already enchanting story. Author Ruth Stiles Gannett's stand-alone sequel, Elmer and the Dragon, and her third volume, The Dragons of Blueland both received starred reviews in School Library Journal and are as fresh and original as her first. (Ages 4 to 8)
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A kingdom is in turmoil as the old king dies and his successor must do battle for the throne. Pitted against an evil wizard and a would-be rival, Prince Peter makes a daring escape and rallies the forces of Good to fight for what is rightfully his. This is a masterpiece of classic dragons-and-magic fantasy that only Stephen King could have written!
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My Father's Dragon--a favorite of young readers since the 1940s and a Newbery honor book--captures the nonsensical logic of childhood in an amusingly deadpan fashion. The story begins when Elmer Elevator (the narrator's father as a boy) runs away with an old alley cat to rescue a flying baby dragon being exploited on a faraway island. With the help of two dozen pink lollipops, rubber bands, chewing gum, and a fine-toothed comb, Elmer disarms the fiercest of beasts on Wild Island. The quirky, comical adventure ends with a heroic denouement: the freeing of the dragon. Abundant black-and-white lithographs by Ruth Chrisman Gannett (the author's stepmother) add an evocative, lighthearted mood to an already enchanting story. Author Ruth Stiles Gannett 's stand-alone sequel, Elmer and the Dragon, and her third volume, The Dragons of Blueland both received starred reviews in School Library Journal and are as fresh and original as her first. (Ages 4 to 8)
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Anne McCaffrey's Pern series has been running successfully for so long that most of the Dragonriders' original problems have been solved. In The Skies of Pern, she confronts her standard cast of characters with the consequences of those solutions, consequences that are a whole new set of problems. Now that the Red Star has been pushed to another orbit, there will only be a few more ravenous Threads descending from it for them and their dragons to fight--and what role will that leave for them? They have successfully reclaimed Earth's lost technology--and suddenly everyone with a craft that might be outmoded, or who is phobic about surgery, is on the rampage, sabotaging and smashing and making up rumors. These fundamentalist Abominators are sure that something terrible will happen if the old ways are not gone back to--and sure enough, fire descends, on cue, from the skies. Anne McCaffrey's tales of genetically engineered dragons and a lost colony that has declined into feudalism are ultimately SF rather than fantasy because they are about finding solutions to problems, solutions that involve working with what you are given to start off with; The Skies of Pern is all about elegant solutions to credible problems. --Amazon.co.uk
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